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Author: Dr.Charles Gore

A B C D E F G H I J K L M N O P Q R S T U-V W-Z

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Galembo, P., 1993, Divine Inspiration: From Benin to Bahia, Albuerqueque: University of New Mexico Press.

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Goodwin, A.J.H., 1963, A Bronze Snake Head and Other Recent Finds in the Old Palace at Benin, Man, 63, 174.

Gore, C., 1989, Mami Wata: Fact or Fancy, M.A.Thesis: S.O.A.S..

Gore, C., 1995, Urban Contemporary Shrine Configurations in Benin City in Southern Nigeria, Ph.d. Thesis, S.O.A.S..

Gore, C., 1997a, Casting Identities in Contemporary Benin City, African Arts 30, 3.

Gore, C., 1997b, Remembering R.E.Bradbury: An Interview with Peter Morton-Williams, African Arts 30, 4.

Gore, C., 1998, Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City Nigeria, (ed) Hughes-Freeland in Ritual, Performance, Media, ASA monograph 35, Routledge.

Gore, C., 2000, Record of a War by Richard Amadasun, Songlines, 7 (winter).

Gore, C., 2001, Commemoration, Memory and Ownership: Some Social Contexts of Contemporary Photography in Benin City, Nigeria, Visual Anthropology, 14, 3.

Gore, C., 2006a in Drewal, H., with Gore, C., and Kisliuk, M., Siren Serenades: Music for Mami Wata and Other Water Spirits in Africa, (eds.) Austern, L.P. and Naroditskaya, I., Music of the Sirens, Indiana Press: Bloomington and Indanapolis.

Gore, C., 2006b, Nigerian Museums: A Question of Value, Safeguarding Africa’s Heritage, (ed.) Finneran, N., Cambridge Monographs in African Archaeology, 65.

Gore, C., 2007a (October) Art, Performance and Ritual in Benin City, International African Institute and University of Edinburgh Press.

2007 Gore, C., 2007b, Conceptualising Royal, Ancestral Shrines and Personal Shrines in Benin City, Nigeria, in (ed.) Plankensteiner, B., Benin Kings and Rituals: Court Arts from Nigeria, Museum fur Volkerkunde Wien-Kunsthistorisches Museum, UitGeverij Snoeck Editions/Publishers: Vienna, Austria.

Gore, C., 2007c, Inscribing History: Leo Asemota and a Circle in the (w)Hole, (ed.) Asemota, L., A Circle in the (w)Hole, Eotla : London.

Gore, C., 2008, Mami Wata: An Urban Presence or the Making of a Tradition in Benin City, Nigeria, (ed.) Drewal, H., Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora, Indiana University Press.

Gore, C., and Nevadomsky, J.N., 1997, Practice and Agency in Mammy Wata Worship in Southern Nigeria, African Arts 30, 2.

Gore, C., and Pratten, D., 2003, The Politics of Plunder: The Rhetorics of Order and Disorder in Southern Nigeria, African Affairs, 102, 407, April.

Gore, G.S., 1994, Traditional Dance in West Africa, (Eds.) Adshead-Lansdale, J., and Layson, J., Dance History: An Introduction, Routledge, London and New York. 2nd Edition.

Gore (Wierre-), G.S, Le Festival d'Igue: Danses, Parades et Hierarchies au Royaume du Benin, (ed.) Montandon, A., Sociopoetique de la Danse, Anthropos: Paris.

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Gregorovech, N.E., 1976, Head of Queen Mother of Benin (Golva Korolyve-matyre Iz Byena), Cultural Ministry: U.S.S.R. Institute of Art History.

Grillo, Y.A., and Highet, J., 1968, Appreciations of Idubor, African Arts, 2, 1.

Grimm, H., 1975, Zeittafeln zur Personengeschichte und zur Wirksamkeit von Felix von Luschan, Abhandlungen und Berichte des Staatlichen Museums fur Volkerkunde Dresden 34.

Grimm, H., 1986, Felix von Luschan als Anthropologe, Etnographisch-Archaologische Zeitschrift, 27, 3.

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