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Author: Dr.Charles Gore
Copyright © 1998-2009
A B C D E F G H I J K L M N O P Q R S T U-V W-Z
P.D., 1968, Ancient Benin and the Yourba, West Africa, 2683.
P.N., 1969, Looking at White Men, West Africa, 2742
Pacheco Pereira, D., 1937, Esmeraldo de Situ Orbis, (tr. and ed.) Kimble, G.H.T., London: Hakluyt Society.
Page, P.R., 1944, Benin Arts and Crafts, Farm and Forest 5, 4 (december).
Palau-Marti, M., 1964, Le Roi-dieu au Benin, sud-Togo, Dahomey, Nigeria Occidentale, Berger-Levrault: Paris.
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Paris, Musee Dapper, 1990, Benin Tresor Royal: Collection du Museum fur Volkerkunde Vienne, Musee Dapper, Paris.
Parliamentary Papers relating to the Niger Coast Protectorate and the Benin Expedition, especially numbers 7596, 7916, 8677 and 9529. See also Foreign Office Dispatches at Public Record Office, London, especially FO2 and CSO 1 series and the Nigerian National Archives, Ibadan. National Maritime Museum holds archival material relating to the Brish Punitive Expedition, including papers of Admiral Rawson and Commander (later Admiral) W. Rees Stokes. The National Army Museum has an album of photographs of Benin taken by Lieutenant Burrows.
Partridge, D.B., 1967, A Report of an Inquiry into Certain Matters Connected with the Creation of a Separate Division for the Ivbiosakon Area, Government Printers: Benin City.
Partridge, D.B., 1975, Partrige Report: Investigation into the Role of Chiefs in the Mid- Western State (Benin West and Benin East Divisions), Typescript 1975.
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Pasztory, E., 1971, Reply to Sloane on Hieratic Composition in West African Art, Art Bulletin 53.
Paudrat, J., 1984, Die Ankunft primitiver: Kunst im Westen Aus Afrika, Rubin, W., Primitivismus in der Kunst des Zwanzigisten Jahrhunderts Munchen.
Paudrat, J., 2007, Historiographic Notes on the Presence of the Court Art of Benin in France and the United States between 1930 and 1945, Plankensteiner, B., (ed.), Benin Kings and Rituals: Court Arts from Nigeria, Museum fur Volkerkunde Wien-Kunsthistorisches Museum, UitGeverij Snoeck Editions/Publishers: Vienna, Austria.
Paulme, D., 1946, Un Probleme d'Histoire de l'Art en Afrique: Les Bronzes du Benin, Compte Rendu Sommaires Seances, Institut Francaise de Anthropologie, II, Janvier 1944-Decembre 1946.
Peek, P.M., 1976, Isoko Sacred Mud Sculpture, African Arts 9, no.4, UCLA.
Peek, P.M., 1980a, Isoko Artists and their Audiences, African Arts, 13, 3.
Peek, P.M., 1980b, Isoko Bronzes and The Lower Niger Industries, African Arts, 13, 4.
Peek, P. M., 1985, Ovia Idah and Eture Egbede: Traditional Nigerian Artists. African Arts 18, 2.
Peek, P.M., 1996, Qui a Peur de l'Eau? Les Isoko, Peuples d'un delta/Who's Afraid of Water? The Isoko as a Delta People, Arts d'Afrique Noire, Arts Premiers 97 Spring.
Peek, P.M., 1997a, The Arts of the Edo People – Introduction, (ed.) Martin, J., Arts du Nigeria, Musee des Arts d’Afrique et d’Oceanie.
Peek, P.M., 1997b, Les Arts Isoko du Sud du Nigeria, (ed.) Martin, J., Arts du Nigeria, Musee des Arts d’Afrique et d’Oceanie.
Peek, P.M., and Nicklin, K., 2002, Lower Niger Bronze Industries and the Archaeology of the Niger Delta, (eds.) Anderson, M., and Peek, P.M., Ways of the Rivers: Arts and environments of the Niger Delta, Fowler Museum of Cultural History, UCLA: Los Angeles.
Peek, P.M., and Owheibor, N.E., 1971, Isoko Songs of Ilue-Ologbo, African Arts, 4, 2.
Peet, S.D., 1898, Serpent Effigies in the City of Benin, American Antiquarian, 20, 3.
Peffer-Engels, J., 1996, The Benin Kingdom of West Africa, Powerkids Press.
Pereira, D.P. (1506-1508), 1956, Esmeraldo de Situ Orbis, (ed.) Mauny, R., Centro de Estudos da Guine Portuguesa, No.19, Bissau, Lisboa.
Perry, A., 1983, An Ancient Civilisation, West
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Perry, A., 1984, Benin Bronzes at the NFT, West
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Pettazoni, R., 1912, Avori Sculpiti Africani in Collezioni Italiane; Contributo allo Studio dell Arte Di Benin, Rome: E.Calzone.
Philladelphia, The University Museum, 1912, The Art of Great Benin, The Museum Journal, University of Pennsylvania, 3, 4.
Phillips, J., 1896, Letter to the Marquess of Salisbury, Her British Majesty's Consulate General, Old Calabar, November 16.
Phillips, T., 1995, Africa: The Art of a Continent, London: Prestel.
Picton, J., 1990, Copper Analyses on the Ife-Benin Relatinship, Proceedings of Ontameta: Obafemi Awolowo University, Ile Ife.
Picton, J., 1994, A Tribute to William Fagg, African Arts, 27, 3.
Picton, J., 1995, West Africa and the Guinea Coast, (ed.) Phillips, T., Africa: The Art of A Continent, Prestel: Germany, 327-354.
Picton, J., 1997, Edo Art, Dynastic Myth and Intellectual Aporia, African Arts, 30, 4.
Picton, J., 1998, The Restitution of Art to Benin City, African Arts 31, 1.
Picton, S., 1997, Review of Great Benin: Museum of Mankind Exhibition, African Arts 30, 3.
Pietz, W., 1995, The Spirit of Civilization: Blood Sacrifice and Monetary Debt, Res 28, Autumn.
Pina R. de, 1942, Chronica de Rey Dom Joao II, (tr. and ed.) Blake, J.W., Europeans in West Africa 1450-1560, I, Ch.14, London: Hakluyt Society.
Pinnock, J., 1897, Benin and the Surrounding Country, Inhabitants, Custom and Trade, Liverpool Journal of Commerce.
Pinnock, J., and Auchterlonie, T.B., 1897, Personal Experiences in Benin, Journal of the Tyneside Geographical Society, III, 6 May.
Pitt-Rivers, A. 1900 [1976], Antique Works of Art From Benin, London.
Pittard, E., 1950, L'Art du Benin: Nouvelles Acquisitions du Musee, Les Musees de Geneve, 7, 10.
Plankensteiner, B., (ed.), 2007, Benin Kings and Rituals: Court Arts from Nigeria, Museum fur Volkerkunde Wien-Kunsthistorisches Museum, UitGeverij Snoeck Editions/Publishers: Vienna, Austria.
Plankensteiner, B., 2007a, Introduction, (ed.) Plankensteiner, B., Benin Kings and Rituals: Court Arts from Nigeria, Museum fur Volkerkunde Wien-Kunsthistorisches Museum, UitGeverij Snoeck Editions/Publishers: Vienna, Austria.
Plankensteiner, B., 2007c, Exhibition Preview: Benin - Kings and Rituals: Court Arts from Nigeria, African Arts, 40, 4.
Plass, M., 1957, Lost Wax: Casting on the Guinea Coast, London: Graphis Press.
Plass, M., 1959, The Art of Benin, Expedition: University of Pennsylvania, 1, 4.
Pogoson, O.I., 1996, On the Origen of Two Benin Dwarfs in the Museum for Volkerkunde Vienna Austria, Nigerian Field, 63, 3-4.
Posnansky, M., Review Article: Brass Casting and its Antecedents in West Africa, Journal of African History, XVIII, 2.
Powell-Cotton, P.H.G., 1932, Benin Brass-casting and Handicrafts in the Cameroons; Summary of a Communication, Man, 32, 329.
Poynor, R., 1976, Edo Influences on the Arts of Owo, African Arts 9, No.4, UCLA.
Poynor, R., 1977, The Ancestral Arts of Owo, Unpublished Ph.d. Dissertation, Indiana University: Bloomington.
Poynor, R., 1987, Naturalism and Abstraction in Owo Masks, African Arts 20, No.4, UCLA.
Poynor, R., 1989, If the Chiefs Are Like This, What Must the Kings Be Like? Chieftaincy Garb as Indicators of Position in the Owo Court, (eds.) Englebrecht, B., and Gardi, B., Man Does Not Go Naked: Textilien und Handwerk aus Afrikanischen und Anderen Landern, Basler Beitrage zur Ethnologie 30.
Preston, G.N., Reading the Art of Benin, (ed.) Kaplan, F.S., 1993, Images of Power: The Art of the Royal Court of Benin, New York: New York University.
Pullen, A., 1939, Intelligence Report on Siluko and Udo District, Benin Province, Mimeo.
Punch, C., 1889, A Visit to the King of Benin Made in 1889: Made by Me Cyril Punch, Accompanied by y Powys Who Was Murdered Afterwards with Others by the Benin People in 1897, Unpublished Manuscript.
Punch, C., 1908, Further Note on the Relation of the Bronze Heads to the Carved Tusks, Benin City, Man, 8, 44.
Purchas, S., 1905, Purchas His Pilgrimes [1602], Vol.IV, James MacLehose and Sons: Glasgow.
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